Soprano - Artist
Music
I obtained my Master of Music in Performance from the London College of Music in 2018, where I studied under the guidance of Sandra Ford and Anthony Roden. Most recently, I had the honor of performing the aria from Adriana Lecouvreur at the Lirica d'Estate concert in Pieve di Grappa, following an intensive year of study with Felicia Weathers in Munich.
In 2024, I had the privilege of showcasing arias of Santuzza, Fennimore, and Sandmann in a staged production at the Theaterwerk München, and I performed the role of Dorabella in a staged scene at the Arte Lirica Festival in Asolo in 2023. I was also cast as Madame Larina in a full production of Eugene Onegin with Guildford Opera, Phyllis in Iolanthe at Shoestring Opera, and I performed the role of Anna in Nabucco (concert performance) with Regents Opera in 2022.
Earlier in my career, I was selected to join the reduced chorus for the production of Samson et Delila at the Grimeborne Festival 2018 (Arcola Theatre, London), and I was a member of the BBC Symphony Chorus as well as the Extra Chorus of the Badisches Staatstheater Karlsruhe.
My passion for stagecraft and acting has led me to attend numerous workshops and masterclasses with renowned professionals including Nicole Marischka, Daniel Urban, Stefanie von Poser, Andrew Sinclair, Christopher Cowell, and John Ramster. Recently, I was accepted into the actor’s Ensemble 21 in Munich, which focuses on organizing regular training and coaching sessions related to voice and bodywork, acting, and camerawork. Musically, I have had the privilege of working with esteemed mentors such as Peter Elkus, Jeremy Silver, David Gowland, Malcolm Martineau OBE, Andrew Shore, Mary King, and Susan Bullock CBE, among others.
Art
My subject matter is a scultpural process centred on the theme of experiencing (change of) dimension which is established through a paradoxical phenomenon: the more focus the greater the expansion.
Concepts of singing technique underpin this approach and so the experience of singing is playing a key role. My artworks are ideally rather sculptural models of an amplified moment of self-awareness, visualised as a detail extracted from its wider context, than installations or objects. Therefore they can be read and realised in any scale or size and can be articulated in a variety of processes and materials including elements of the performing arts.